Twas a bleak and dreich October
When I sat munchin' on ma Tobler
-one. I stared alone twixt curtains
torn an' faded like Tim Burtons'
Corpse Bride and others o' that ilk.
I took a sip of me warmed milk
as doon in the groonds below
in patchy shadows neath the glow
of intermittent neon street lamps
hiding throngs o' zombies, vamps
didst frolic, gamble, twixt rose and bud,
Texas holdems, 5 card stud
at least they did in ma mind's een,
which had recorded every scary scene
fae horror movies maest eclectic
(lucky I'm no epileptic)
as on and off the lights didst flicker
reminds me how we once didst bicker
Me and my most recent ex but one –
Eleanor.
Suddenly I heard a tapping,
a quiet, gentle, faded rapping,
Turned did I and looked – no more-
towards my hard oak chamber door
“Who's there?!” ah croaked, goosebumps rising.
Twas just the wind, I tried surmising.
Swiss chocolate from my fingers fell
'pon the floor (some milk as well)
As lo, didst handle start to turn!
And in ma throat my heart did burn!
Through veins as chilled as ice
Ran curdled blood - no once but twice!
As tapping at the door compounded
rapping at the pane! Dumbfounded,
Shocked and stunned, I turned in vain
to see nought beyond the window pane
save skeletal tree-like bones a-tapping
'pon the glass like fingers rapping.
Beckoning to bid me join them
and secretly my life purloin, then
into darkness fae top floor I'd leap
And wake up dead fae tortured sleep.
“Just the Birch!” I knew
“Caused by one strong gust or two.
“But what of oakwood door?”
As I spun I saw no more
Than shadowy landing through the crack
and with distinct shrivelling of sack
I gasped on chocolate milky breath
and damn near almost choked to death
as I heard a voice shriek from the black
“It's just yer maw, dye want a snack?”
A voice that sounded nothing like
fair voice of Eleanor.
“No thanks, Mamaw, I'm mid ode:
An Edgar Allan episode.”
Fae the shadows, a tut, a sigh.
“Not again, wee lad, I can't see why
you can't just let this Eleanor bird
fly the coop. Wasn't she the third
to leave you lying in the dust?
It's not all about nice bum and bust.”
“It wasn't just her bum and bust,
if to refer to those you must,
her eyes, her nose, her smile, her hair
were also well beyond compare
Whether in the Louvre or Tate
such a perfect prime portrait
I haven't seen before or since
Next to her a pound of mince,
those other girls ...
we had some whirls
upon the carousel of love
but mother now, dear god above
Quit my door, opine no more,
Get thee hence, I must implore,
you leave me to my selfish wallow
in my Eleanor-shaped hollow.
Bother me no more along this lonely path
lest you taste my bitter, thorny wrath!”
and with a creak, a squeak, no more,
she then withdrew and closed the door.
And slowly upwards roamed my stare
from handle up the oakwood door and there
my gaze could not help but linger
as I pointed shaky finger
at the blown up photograph cropped shear
between the door and ceiling near
the final precious keepsake of my dearest Eleanor.
Just space enough for bum and bust
above my oakwood chamber door.
Bum and bust and nothing more.
At least the blu tac still is sticking -
still is sticking, still is sticking -
Eleanor's dear bum and bust above my oakwood chamber door.
© Chris Young 2018