On the weekend of 24/25 September 2022 the 10th anniversary Scottish Short Film Festival (SSFF) was held at the Scottish Storytelling Centre in John Knox House on the Royal Mile. The red carpet was out, the banners were up and the stage was glittering with awards from Judges’ 1st Prize to Golden Raptor.
But the last straw for Chris was getting his I-phone stolen halfway through an event in Glasgow in 2019. “I’d either stupidly or naively left it on the sound desk during the intermission. It was a sell out crowd thanks to the amazing efforts of Gina Vereker, and things were going great. I was using the phone to message host William Samson notes about each film backstage. But when I came back from the bar it was gone.” Panic ensued. The technician went away to check CCTV footage, leaving Chris in the booth with a sea of incomprehensible buttons and lights before him, and the mics didn’t come on for a Q&A, rendering the host and film guests on stage speechless, literally. “But we got through it. The worst part was trying to learn how to read train timetables again in order to get home.”
From that night Chris vowed it was his last film festival. But fortunately Gina Vereker was there to carry the torch over the next two years, expertly navigating the pandemic and lockdowns, taking everything smoothly online and into the 21st century.
“This way were able to go worldwide and reach a much bigger, international audience with the films. We hosted the 2020 awards ceremony live-streaming while adhering to social distancing guidelines, windows open and cats everywhere, using a green screen in Gina’s kitchen. On camera it actually looked great.”
The 2021 awards ceremony was live-streamed from the Glasgow studio of one of their long-standing sponsors Acting Coach Scotland, hosted by Olivia Millar-Ross. “Olivia and the Acting Coach Scotland team were a real pleasure to work with. Professional, experienced and charming.”
With Gina at the helm and Chris as advisor and technical assistant, running the festival online presented its own challenges. “It was like building a plane in the air,” says Chris. “We had no idea what to do – we just had to do it using what we knew and what we had available.”
After the success of two online events, Gina was ready to move on, and asked Chris if he would take the annually recurring event back on again. “Gina and I both love film events, but making films and organising events are two separate skillsets, one more stressful while the other more creative,” says Chris. “And I’m getting to an age where my body doesn’t always agree enthusiastically with what my mind tells it to do.”
But despite all the niggling worries and concerns, Chris agreed to take the festival back on again. “If I can keep a work-life balance and be more zen-like about the whole thing, maybe it’ll be okay.” And this year, with plenty of exercise, pre-planning, healthy eating and drinking, and a smaller, more inclusive venue, it worked.
A key pressure-reducer was the kind provision of accommodation in the centre of Edinburgh by another sponsor: Private House Stays. “One of the worst parts of the situation is trying to get home after a screening when you’re buzzing and exhausted and have mind-fog. So I called up Private House Stays hoping to get a discount and share some mutual publicity and they offered me a free stay, not just for one night, for two!”
So was it a success this year? “I think it was. My job at the end of the day was to turn up, make sure the films played, and hand out a few awards. As long as those things went smoothly, I was happy, and they did. We had a great team. The staff at the SSC were fantastic, our volunteers Ben McBain and Ryan Vallo were invaluable, the film-makers seemed happy with the way their films were played, and the audience were satisfied with the amazing selection of films this year. We also couldn’t have achieved what we did without our sponsors, including Wexpresif in Livingston, who helped fund a live captioner to transcribe anything said on stage into captions on the big screen, and Solar Bear who provided a sign language interpreter for any members in the audience who were deaf, making the Saturday screening much more inclusive.”
The winners:
One of the growing list of independent film festivals that has sprung up in the past decade to showcase and encourage film in and about Scotland, the SSFF has continued to shine a light on home-grown talent, providing a stage for those interested in pursuing careers, dreams and passion in the film industry.
This year the festival received a record-breaking 122 entries, or around 22 hours’ run-time, all with a relation to Scotland. These films were then carefully scrutinized by seven experienced and qualified judges, and reviewed and rated across many criteria, from editing to sound. Those film-makers whose films were unable to be shown were given advice and feedback on their craft for perhaps getting their films shown at festivals in the future.
The festival has been held in many venues over the years, including the Grosvenor Cinema in Glasgow when their inaugural festival was hosted by celebrated actor David Anderson in 2012, Howden Park Centre in Livingston, The Bathgate Regal, The Glasgow Art School and even the Crowne Plaza Hotel on the banks of the River Clyde.
Me and my Wallace & Grommit tie
The festival has been held in many venues over the years, including the Grosvenor Cinema in Glasgow when their inaugural festival was hosted by celebrated actor David Anderson in 2012, Howden Park Centre in Livingston, The Bathgate Regal, The Glasgow Art School and even the Crowne Plaza Hotel on the banks of the River Clyde.
Returning festival director Chris Young said, “Every year we are consistently surprised and delighted by the creativity, ingenuity, style, talent, skill and humour that exist in the film-making community in Scotland, and those around the world with an interest in Scotland.
“It was wonderful to host the event right in the centre of the capital this year,” says Chris. “surrounded by so much historic Scottish culture, and in the Scottish Storytelling Centre no less, because isn’t that really what film is all about?”
The SSFF not only awarded 19 prizes this year, but most came with nominations, giving even more accolades for people in the industry to add to their résumés.
Asked if there are ever any challenges to be overcome, Chris said, “There are always hiccups and surprises along the way. One year I was prevented from getting into Glasgow for a radio interview because it was so hot the rails were melting and signal boxes malfunctioning. Sometimes technical equipment that was working fine one moment just refuses to the next.”
The red carpet
But the last straw for Chris was getting his I-phone stolen halfway through an event in Glasgow in 2019. “I’d either stupidly or naively left it on the sound desk during the intermission. It was a sell out crowd thanks to the amazing efforts of Gina Vereker, and things were going great. I was using the phone to message host William Samson notes about each film backstage. But when I came back from the bar it was gone.” Panic ensued. The technician went away to check CCTV footage, leaving Chris in the booth with a sea of incomprehensible buttons and lights before him, and the mics didn’t come on for a Q&A, rendering the host and film guests on stage speechless, literally. “But we got through it. The worst part was trying to learn how to read train timetables again in order to get home.”
From that night Chris vowed it was his last film festival. But fortunately Gina Vereker was there to carry the torch over the next two years, expertly navigating the pandemic and lockdowns, taking everything smoothly online and into the 21st century.
Awards!
“This way were able to go worldwide and reach a much bigger, international audience with the films. We hosted the 2020 awards ceremony live-streaming while adhering to social distancing guidelines, windows open and cats everywhere, using a green screen in Gina’s kitchen. On camera it actually looked great.”
The 2021 awards ceremony was live-streamed from the Glasgow studio of one of their long-standing sponsors Acting Coach Scotland, hosted by Olivia Millar-Ross. “Olivia and the Acting Coach Scotland team were a real pleasure to work with. Professional, experienced and charming.”
The 1815 team
With Gina at the helm and Chris as advisor and technical assistant, running the festival online presented its own challenges. “It was like building a plane in the air,” says Chris. “We had no idea what to do – we just had to do it using what we knew and what we had available.”
After the success of two online events, Gina was ready to move on, and asked Chris if he would take the annually recurring event back on again. “Gina and I both love film events, but making films and organising events are two separate skillsets, one more stressful while the other more creative,” says Chris. “And I’m getting to an age where my body doesn’t always agree enthusiastically with what my mind tells it to do.”
But despite all the niggling worries and concerns, Chris agreed to take the festival back on again. “If I can keep a work-life balance and be more zen-like about the whole thing, maybe it’ll be okay.” And this year, with plenty of exercise, pre-planning, healthy eating and drinking, and a smaller, more inclusive venue, it worked.
A key pressure-reducer was the kind provision of accommodation in the centre of Edinburgh by another sponsor: Private House Stays. “One of the worst parts of the situation is trying to get home after a screening when you’re buzzing and exhausted and have mind-fog. So I called up Private House Stays hoping to get a discount and share some mutual publicity and they offered me a free stay, not just for one night, for two!”
So was it a success this year? “I think it was. My job at the end of the day was to turn up, make sure the films played, and hand out a few awards. As long as those things went smoothly, I was happy, and they did. We had a great team. The staff at the SSC were fantastic, our volunteers Ben McBain and Ryan Vallo were invaluable, the film-makers seemed happy with the way their films were played, and the audience were satisfied with the amazing selection of films this year. We also couldn’t have achieved what we did without our sponsors, including Wexpresif in Livingston, who helped fund a live captioner to transcribe anything said on stage into captions on the big screen, and Solar Bear who provided a sign language interpreter for any members in the audience who were deaf, making the Saturday screening much more inclusive.”
Eric Romero & Rachel Flynn (Terminal Happiness)
The winners:
1815, written & directed by Neil Boyle, won : Best Actor (Iain MacRae), Best Sound (Scott Walker), Best Cinematography (Kasparas Vidūnas), Best Script, Acting Coach Rising Star Award (Kayla Caldwell), Saturday Audience Choice and Judges’ 1st Prize.
Terminal Happiness, directed by Eric Romero, won : Best Costume / Make Up (Kerttu Reinmaa & Elise Sepp), Best Music (Margaryta Kulichova), Best Director and Sunday Audience Choice.
Whale Heart, written and directed by Phillip Edge, won : Judges’ 2nd Prize and Private House Stays Most Creative/Original.
Snapshot, written by Steve Johnson and Carrie Dodds, directed by Steve Johnson, won Best Actress (Kirsty Strain).
Shooting Animals, written and directed by Libby Penman, won Best Documentary.
Professor Henry Bowfax’s Fantastic Journey Through Time! written and directed by Robert Howat, won The Golden Raptor Award.
Neolith, written and directed by Garry & Ross Ferrier, won Best Editing.
The Longest Line, directed by Ellie & Matt Green, won the Thomas Haywood Best Use Of Scottish Landscape Award.
Love Letter To Glasgow, by Myria Chrystophini won Best Animation.
So will you run it again next year? Chris says, “Don’t know yet. It was a great weekend with so many outstanding films and heart-warming to see so many smiles and meet new people, but I need a rest. Ask me again in a month or so.”
Find out more about the film festival by visiting www.scottishshortfilmfestival.com
Facebook - www.facebook.com/ScottishShortFilmFestival
Twitter - @ScottishShorts
Instagram - Scottishshortfilmfestival
Sometimes, when I feel the art in me drying up, I come upon a post like this and I feel the words come back. Thank you for sharing this.
ReplyDeleteThanks for reading, Neena! Really happy you got something from it :)
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